CINE_V 100 (3) Introduction to Cinema Studies
Basic aesthetic, economic, sociological, and technological aspects of film. Credit will be granted for only one of FIST 100 or CINE 100.
Basic aesthetic, economic, sociological, and technological aspects of film. Credit will be granted for only one of FIST 100 or CINE 100.
History and aesthetics of Canadian cinema. Credit will be granted for only one of FIST 200 or CINE 200.
Aesthetics, economics, history, and technological characteristics of international early film. Credit will be granted for only one of FIST 210 or CINE 210.
Analysis of the aesthetics, economics, history and technological characteristics of the Classical Hollywood period. Credit will be granted for only one of FIST 220 or CINE 220.
Overview of the cinemas of China, India, Japan, and Korea. Credit will be granted for only one of FIST 230 or CINE 230.
Overview of today's film and media industries, and of the concepts governing their practices. Credit will be granted for only one of FIST 240 or CINE 240.
Overview of world cult cinema. Credit will be granted for only one of FIST 300 or CINE 300.
A seminar introducing the many theoretical approaches to film: formalist, historical, Marxist, psychoanalytic, semiotic, and structuralist. Credit will be granted for only one of FIST 331 or CINE 331.
A seminar examining one or more genres or periods, such as the Western, Film Noir, Science Fiction, Films of the 1980's. Also includes study of national cinemas. Credit will be granted for only one of FIST 332 or CINE 332.
An analysis of the representational strategies and ethics of the form. Credit will be granted for only one of FIST 334 or CINE 334.
Topics may include a study of a European national cinema. Credit will be granted for only one of FIST 336 or CINE 336.
Topics may include an analysis of a national cinema, such as that of China, India, or Australia. Credit will be granted for only one of FIST 338 or CINE 338.
Overview of approaches for studying audiences and receptions of film and contemporary media. Credit will be granted for only one of FIST 340 or CINE 340.
A seminar examining the work of one or more directors, such as John Ford, Francois Truffaut, Denys Arcand, Margarethe Von Trotta, or of a screenwriter over many films. Credit will be granted for only one of FIST 430 or CINE 430.
Animation, experimental, and/or multimedia.
A seminar devoted to a topic of current interest in film. Topic will change from year to year. May be repeated for credit when topics differ. Credit will be granted for only one of FIST 434 or CINE 434.
Topics may include an analysis of a specific period. Credit will be granted for only one of FIST 436 or CINE 436.
Topics may include an analysis of the Canadian Governmental agencies supporting Film Production. Credit will be granted for only one of FIST 438 or CINE 438.
Credit will be granted for only one of FIST 445 or CINE 445.
A course allowing honours students to work with a faculty member on a major research paper. Credit will be granted for only one of FIST449 or CINE 449.